There is a difference: the former would come off as prescriptive the latter is the paper on which to write a love letter. He’s not trying to film France rather, he’s trying to commit to the screen his version of France. This is a smart choice, because it gives Anderson room to breathe: if this is a made-up locale, then he can freely shape it to his image. It has some big-city characteristics, such as its own underground transportation system (echoing the real-life Paris, Lyon, Marseille, and a handful of additional French cities), but small-town aesthetics. I can’t be blasé about it.) On screen, Ennui is a fluid, ethereal setting that tends to adapt to the plot’s needs. (The name translates literally to Boredom-upon-Jaded, which, come on! That’s genius. Asteroid City: Wes Anderson’s new film comes to life in London exhibitionĪnderson chose to set The French Dispatch in Ennui-sur-Blasé, a fictional location.Wes Anderson took a cast of stars to the desert and made his best film in years.Wes Anderson looks to the stars in the arch, enrapturing Asteroid City – review.I live in a foreign country too (hello, the US of A), and if someone told me to keep my opinions of it to myself on the basis that I’m not from around here, I would have a few choice words for them. Then again, I’ve always tried not to lean too hard into this defensiveness, because, well, I don’t think it’s my better instinct. There is a high risk of getting certain things plain wrong. Committing it to film is a tricky exercise, and one that’s sure to set off an overwhelming amount of discourse. France, you see, also happens to be the country where I was born and raised. Here is where my Spidey-Sense would usually start waking up. A love letter to journalists set in an outpost of an American newspaper in a fictional twentieth century French city that brings to life a collection of stories published in 'The French Dispatch Magazine'. With Benicio Del Toro, Adrien Brody, Tilda Swinton, La Seydoux. The French Dispatch, as its title would suggest, is set in France, a country Anderson loves dearly, and where he has spent a good amount of time. The French Dispatch: Directed by Wes Anderson. A charming, whimsical, gently existential tightrope, but a tightrope all the same. Other familiar faces include Willem Dafoe, Saoirse Ronan, Edward Norton, and Tony Revelori.The French Dispatch, Wes Anderson’s new film, is a tightrope. Léa Seydoux – After having a small role in The Grand Budapest Hotel, the Spectre star portrays a prison guard who becomes the muse of a tortured artist under her watch. He he portrays Herbsaint Salzerac, a staff writer at the French Dispatch. The French Dispatch is a love letter to The New Yorker and to love itself October 20, 20216:00 PM ET Glen Weldon Enlarge this image Wes Andersons love letter to The New Yorker is set. He even co-wrote Anderson’s first three films, including Rushmore and The Royal Tenenbaums. Owen Wilson – Wilson has been with Anderson since the beginning, appearing in Bottle Rocket and most of Anderson’s following movies. Fox, and The Grand Budapest Hotel, Brody plays Julien Cadazio, a fictional art dealer who is based on Lord Duveen, the subject a six-part New Yorker story. In The French Dispatch he plays Arthur Howitzer Jr., the editor-in-chief of The French Dispatch and a man apparently based on Howard Ross, co-founder of The New Yorker.įrances McDormand – McDormand previously worked with Anderson on Moonrise Kingdom and Isle of Dogs, and in The French Dispatch, she portrays Lucinda Krementz, a journalist writing about the student revolutionaries at the heart of one of the movie’s main subplots.Īdrien Brody – Previously working with Anderson in The Darjeeling Limited, The Fantastic Mr. Bill Murray – Murray has long been a staple in Anderson’s movies, including Rushmore, The Royal Tenenbaums, The Life Aquatic with Steve Zissou, The Darjeeling Limited, Moonrise Kingdom, and The Grand Budapest Hotel.
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